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・ Real Life (Magazine album)
・ Real Life (Real Lies album)
・ Real Life (Simple Minds album)
・ Real Life (TV program)
・ Real Life (webcomic)
・ Real Life Adventures
・ Real Life Conversations
・ Real Life Fantasy
・ Real Life Hits
・ Real Life Is No Cool
・ Real Life Ministries
・ Real Life with Jane Pauley
・ Real Life with Sharon Caddy
・ Real Life/Real Worship
・ Real line
Real Live
・ Real Live 91
・ Real Live Roadrunning
・ Real Live Thing
・ Real Live Tour
・ Real Live Woman
・ Real Live Woman (song)
・ Real Live!
・ Real Lives
・ Real Lives (TV channel)
・ Real Love
・ Real Love (Beatles song)
・ Real Love (Clean Bandit and Jess Glynne song)
・ Real Love (Derek Johnson album)
・ Real Love (Dolly Parton album)


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Real Live : ウィキペディア英語版
Real Live

''Real Live'' is a live album by American singer-songwriter Bob Dylan, released on November 29, 1984 by Columbia Records. Recorded during the artist's 1984 European Tour, most of the album was recorded at Wembley Stadium on 7 July, but "License to Kill" and "Tombstone Blues" come from St James' Park, Newcastle on 5 July, and "I and I" and "Girl from the North Country" were recorded at Slane Castle, Ireland on 8 July.
Produced by Glyn Johns, it features Mick Taylor (formerly of the Rolling Stones) on lead guitar, Ian McLagan (formerly of the Faces) on keyboards, and a guest appearance from Carlos Santana. The performances on ''Real Live'' were recorded in support of his successful ''Infidels'' album. While ''Infidels'' was hailed as a "return to musical form" (as described by Kurt Loder in ''Rolling Stone'' magazine), critical reception for ''Real Live'' was generally mixed.
Released in December to capitalize on the Christmas shopping season, ''Real Live'' still sold in disappointing numbers, reaching a then-career low of #115 in the US and #54 in the UK.
==Reception==
In his review for ''Rolling Stone'', Loder writes, "Although cynics may find that Dylan's trademark wheeze is verging on self-parody by this point, his singing is truly spirited throughout. The band he assembled for the tour generally serves him well, if without inspiration...Dylanologists will savor the heavily revised, third-person
* lyrics for 'Tangled Up in Blue' (although they scuttle the original song's compelling intimacy), and some fans may get a giggle out of the rhythm riff – lifted from Ray Charles' 'I Believe to My Soul' – that graces 'Ballad of a Thin Man.' But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I'...If () rag-and-roll approach to rock is dated, that's essentially a cosmetic problem. One continues to hope that he'll someday assemble a full-time band he really believes in...a band that will enable him to reassert his brilliance in the modern rock marketplace."
*Loder neglected to realize, however, that the lyrics were originally written from a third-person perspective prior to rerecording.〔Tangled Up in Blue

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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